Tag Archives: NY Times review

Crop circle reports and some musing on SchwartzReport

I have some fascinating friends. Stephan Schwartz is one of them. For ten years, he has been publishing a daily news service, SchwartzReport, to which many influential people subscribe. Click here to get on his list.

schwartz

On Stephan’s personal site, he says this:

“My life has been spent exploring extraordinary human functioning, and how individuals and small groups can, and have, affected social change.  I’ve done this both as an experimentalist in parapsychology, and by being privileged to have been a part of several major social transformations: civil rights in the 1960s, the transformation of the military from an elitist conscription organization to an all-voluntary meritocracy in the 70s, and citizen diplomacy between the United States and the Soviet Union in the 80s and 90s. Both the experiences and the research have convinced me that all life is inter-connected and interdependent.”

A few days ago, Stephan posted my NY Times movie review on SchwartzReport. He led off with these remarks, which I like very much:

“What on Earth?” Probes Mysteries of Crop Circles

This is a new documentary by SR reader, Suzanne Taylor, who has been a friend for many years. I have seen the documentary, and think this is a very good assessment. As the reviewer notes, the images of the “circles” are stunning. And Suzanne is very amiable. She doesn’t condescend or make fun. So you get to hear from these people what they really believe, which is interesting. Skepticism gets boring. Agreement is not required, only a respect for sincerity.

I know some of you will write me and ask me what I believe about this. Here it is: I made a documentary on the circles myself in the 1980s, and came away from it feeling that while some were hoaxes, others could not be explained away so easily. Just writing this brings back the memory of talking with a British army officer who had been detailed to examine them. All night he and his crew stood on a hill looking out into the dark, seeing a field beneath them in the green glow of night goggles. They had all kind of instrumentation. As the day broke the officer said to me, “I turned around to take a leak, and there before me, in the other direction was a large and complex circle. I do not believe any method I know could have accomplished that without being detected.”

That and the interview with a young Mormon couple who had a circle appear in their field, just before harvest, which they did not appreciate at all. This is the other one that stands out in my memory. The young couple could not have been straighter. They had that integrity about being truthful that anyone who has Mormon farm friends would instantly recognize. I knew they were telling me what they had experienced.

If pressed to construct a scenario which would cover the observed phenomenon I would say this: Suppose at some future date some kind of retrocausal technology develops. You’re in a laboratory in the U.K. and you want to test the technology in some objectively verifiable manner but you have to be careful not to set some change in the past that could alter the future. Well, how about going back and leaving a design, randomly selected for you before you exercised this technology in the crop of a farm field. It would be sure to get recorded so, in the future, your present, you could go to newspapers or video of the era and see whether your design had been reported. Since the appearances were inexplicable, they would generate only short term local interest, and likely be dismissed as curiosities or fakes. Thus they would confirm, while producing few ripples.

Little Miracle: A Good Review in the NY Times

This is the first time in a decade that the NY Times has even mentioned the circles. Hopefully it is at least a small sign of more openness to what lies beyond ordinary reality. Whatever else, it is a great boon to the movie and to the circles. It already has opened some doors. As the owner of the QUAD Theater, where it having a week’s run, said, ”The review you got in the New York Times this morning you couldn’t buy for a million bucks.” Even the links in the review are good!

 

 

 

 

 

NYTimes crop circle

 

 

 

‘What on Earth?’ Probes Mysteries of Crop Circles

By JEANNETTE CATSOULIS
Published: April 21, 2011
A cheery, chummy documentary about the pastoral patterns inaccurately described as crop circles, Suzanne Taylor’s “What on Earth?” musters a gaggle of enthusiasts to dish on the phenomenon.

They’re a diverse bunch — farmers and philosophers, scientists and a singer-songwriter — and Ms. Taylor, a former actress who first became involved with the group in the early 1990s, uses her familiarity to encourage them to open up. Merging homey interviews with photographs and film of the hundreds of varieties of patterns (which pop up mysteriously overnight and are found all over the world), the film makes no pretense of objectivity or analysis. Everyone on screen — most sporting little blue flowers in their lapels, like a club insignia — is convinced of an intelligence behind the designs.

“I knew that something beyond the beyond was going on,” one interviewee says, echoing the metaphysical beliefs of many circle fans. But it’s the film’s geometrists who enthrall most, revealing that many of the shapes — one of which famously made the cover of a 1990 Led Zeppelin album — hold entirely new answers to Euclidean problems.

Set mainly in the bucolic beauty of Wiltshire, England (a hotbed of circle activity), “What on Earth?” touches on famous hoaxes and enjoys a brief visit to the conspiracy-theory place.

The film’s main attractions, though, are the patterns themselves: fantastically precise whorls and curlicues, radiolaria and mandalas that drift across the screen like the endlessly reforming crystals in a kaleidoscope. Whether designed by nature or by little green men, they make you want to believe.

WHAT ON EARTH?

Opens on Friday in Manhattan.

Produced and directed by Suzanne Taylor, edited by Mary Duprey; music by Bruce Hanifan; released by Mighty Companions. At the Quad Cinema, 34 West 13th Street, Greenwich Village. Running time: 1 hour 21 minutes. This film is not rated.