movies | THE CONVERSATION

First of all, thanks so much to all of you who posted on Yahoo about the crop circle video, getting the word out about my movie. The comments continued to be overwhelmingly critical of the video — but it could be cause it was all of you! Am continuing to try to see if Toyota would follow up cause of how mad people got at them. And look on my blog for how many of you wrote to me — never got so many responses, and, as I’ve said, that was only people who posted directly on the blog. My own person email was swamped. In fact, to get on the blog, where I’d like to put all the comments on all the posts, please do it through the comments boxes at the end of each blog entry, which is the way your remarks can indeed get on the blog site.

Here’s a story from UFO Digest, analyzing a particular crop circle. (Photo by Lucy Pringle of a glyph from 2004.) I pass it along not because I expect non-scientists to pore over what it says, but to show you a typical sort of thing the circles give rise to. Many pieces are written about many circles to describe intelligence that is embedded in them.

People frequently wonder what the message is of the circles, as if they are a giant jigsaw puzzle and we will get the picture when we get all the pieces fitted together. Or that they are something like hieroglyphics, and we’ll get their message when we get everything translated. I don’t think so. My speculation is that each formation is its own bundle of encoded smarts. It’s not about deciphering the master message, but about getting it that some source is trying to get attention to itself. Intelligence, intelligence intelligence pulses at us. I think of the circlemakers scratching whatever passes for the heads in wonderment that we haven’t realized, en masse, that they exist: “We see you, we understand you, we are feeding back evidence. When are you going to get it that that’s what’s going on?”

I was especially impelled to pass on a story about this particular formation because this one has a featured spot in my movie. It was perfect on the ground, with all the stalks laid in a gorgeous carpet, nothing damaged, no evidence of any human tampering. “Yes, there is a real phenomenon,” says Andy Thomas, who is using this perfect glyph in his presentation to a conference audience about the fact that there incontrovertibly is a real phenomenon.

To follow up on the last post, these are excerpts from another piece Daniel Pinchbeck wrote, about a subject vital to me: how, given the internet environment, to get works of art to the public — which also is a jumping off point for Daniel to talk about related aspects of our internet world. The excerpts are along the lines of my thinking about reorganizing ourselves.

The War for Control of the Story

Excerpts:

“We have a viable opportunity to make a nonviolent transition from a hierarchic to a ‘holarchic’ form of social organization, from a social order that is vertically controlled by a manipulative elite to a horizontally distributed orchestration of power and resources for a new planetary culture. This shift will require not only a new set of cultural and societal practices, but the telling, retelling, and eventual imprinting of a new story. In this process, our fundamental concepts of ‘the good’ and ‘the beautiful,’ our basic understanding of the nature of human freedom and the value of life, will be deconstructed and remade.”

“Part of the new myth that our culture needs to tell about itself, as many thinkers have proposed, is the story of how we became deluded into believing we were separate from the earth, rather than a part of her, and how this led to imbalance and discontent. Another, more controversial element of our new emergent myth, I believe, is the realization that the psychic and physical aspects of our being are not cut off from each other, but inseparable and inextricably meshed.”

PS: Daniel has a new movie of his own: 2012: Time For Change. Click here for info on upcoming screenings in New York City and Portland.

THE CONVERSATION

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