Allyson Grey, another panelist, makes beautiful art, too

Look at this artwork by Allyson Grey, the wife of Alex, for whom I did this post. The underlying sacred  geometry of the circles, which is the design of the universe, is in good part what makes them so beautiful to our eyes, and there’s a lot of reflection of that in Allyson’s work. Allyson and Alex both were on the panel for screenings last night at the QUAD Cinema, where they added a lot of class!

Audiences have been loving the movie and have stayed for the panels afterwards, which have gone on until we’ve had to  leave. I’d shipped a lot of DVDs and I’ve sold them all!

Audience reaction has been particularly satisfying in that a lot of people didn’t know about the circles. I didn’t make the movie to entertain “us,” but to open other people’s eyes, and this has been the first chance on a large scale to see how that goes.There have been people all along who’ve shown it to skeptical relatives or friends and turned them around, but the impact on people who got there without any biased recommendation has been particularly gratifying.

 

 

 

Little Miracle: A Good Review in the NY Times

This is the first time in a decade that the NY Times has even mentioned the circles. Hopefully it is at least a small sign of more openness to what lies beyond ordinary reality. Whatever else, it is a great boon to the movie and to the circles. It already has opened some doors. As the owner of the QUAD Theater, where it having a week’s run, said, ”The review you got in the New York Times this morning you couldn’t buy for a million bucks.” Even the links in the review are good!

 

 

 

 

 

NYTimes crop circle

 

 

 

‘What on Earth?’ Probes Mysteries of Crop Circles

By JEANNETTE CATSOULIS
Published: April 21, 2011
A cheery, chummy documentary about the pastoral patterns inaccurately described as crop circles, Suzanne Taylor’s “What on Earth?” musters a gaggle of enthusiasts to dish on the phenomenon.

They’re a diverse bunch — farmers and philosophers, scientists and a singer-songwriter — and Ms. Taylor, a former actress who first became involved with the group in the early 1990s, uses her familiarity to encourage them to open up. Merging homey interviews with photographs and film of the hundreds of varieties of patterns (which pop up mysteriously overnight and are found all over the world), the film makes no pretense of objectivity or analysis. Everyone on screen — most sporting little blue flowers in their lapels, like a club insignia — is convinced of an intelligence behind the designs.

“I knew that something beyond the beyond was going on,” one interviewee says, echoing the metaphysical beliefs of many circle fans. But it’s the film’s geometrists who enthrall most, revealing that many of the shapes — one of which famously made the cover of a 1990 Led Zeppelin album — hold entirely new answers to Euclidean problems.

Set mainly in the bucolic beauty of Wiltshire, England (a hotbed of circle activity), “What on Earth?” touches on famous hoaxes and enjoys a brief visit to the conspiracy-theory place.

The film’s main attractions, though, are the patterns themselves: fantastically precise whorls and curlicues, radiolaria and mandalas that drift across the screen like the endlessly reforming crystals in a kaleidoscope. Whether designed by nature or by little green men, they make you want to believe.

WHAT ON EARTH?

Opens on Friday in Manhattan.

Produced and directed by Suzanne Taylor, edited by Mary Duprey; music by Bruce Hanifan; released by Mighty Companions. At the Quad Cinema, 34 West 13th Street, Greenwich Village. Running time: 1 hour 21 minutes. This film is not rated.

The Genius of Alex Grey, a panelist for New York

Anything I could say about Alex Grey, who will be a panelist for Q&As after screenings of What On Earth? at New York’s Quad Cinema, on April 27, would not do him justice. He will go down in history as one of our most extraordinary artists, and if you don’t know who he is you’re in for a mind-blowing treat: http://www.alexgrey.com. (If you looked at my post about Sasha Shulgin, the developer of  Ecstasy,  you saw the portrait Alex did.  Here’s where you can find an update on Sasha’s condition.)

You can listen to Alex and his wife, who are wonderful people, talk about the Chapel of Sacred Mirrors. It was in New York City for five years before it moved, in order to expand, to a gorgeous spot north of Manhattan. “We are here to build a temple,” says Alex, and it will knock your socks off to see what they are up to. You might even want to help.

 

Vision to Form from CoSM TV on Vimeo.